On this Blog you will be able to see the work that I've done in my Humanities class and the process I've gone through in my various projects.

Wednesday, October 5, 2011

Honors Essay #1


            “I like waking up to the smell of bacon – sue me.” Steve Carell said to explain why his foot was covered in bubble wrap—he stepped out of bed and into his Foreman Grill. Mindy Kaling wrote this episode of The Office, but Carell ran wild in this scene, and improvised the joke that was used. The directors kept the bacon joke in the final edit, and Carell once again showed how important improvisation is to comedy.


Improvisation is a productive way for comedians to come up with creative and unconventional lines that are unexpected yet flow within the scene. With improv, actors are given the opportunity to think of their own lines to use within a scene. They are able to take the script and change it up. At times they aren’t even given a script, though there is a basic outline of the scenario. It is not only more enjoyable for the actors to have creative control, but the director is left with more material to work with.

Improv is found all over the entertainment industry, especially television. Each night, Stephen Colbert creates improv comedy with unwitting and sometimes unwilling partners; his interview subjects. Colbert creates a cat and mouse game so to speak. The interviewee is trying to bring the conversation back to them and their topic while Colbert is trying to create comedy, by improvising his jokes off of their ideas or words. Colbert has no idea what the interviewee will say next, so he must think quickly in order to keep the comedy going. And Colbert is well-trained when it comes to impov. He started out at Second City, a comedy group that started in 1959 in Chicago and was founded by Paul Sills, who also started the first theater group to bring improv to the modern stage. Second City then became one of the most popular theaters and has played host to famous comedians such as John Belushi, Dan Aykroyd, and Gilida Rander. Those comedians helped pave the way for others to follow suit.

Television shows like Curb Your Enthusiasm and Whose Line is It Anyway? have incorporated this technique into their structure. Curb Your Enthusiasm is a comedy on HBO about Larry David, the co-creator of Seinfeld, and the hilarious and awkward situations he manages to get himself into. David writes out the plot for the episode, but the actors are left to improvise the rest. The result is a highly watched show that has been nominated for thirty-four Emmys and picking up a Golden Globe. Whose Line Is It Anyway, hosted by Drew Carey, was a show made up entirely of improvised sketches. Each episode consisted of four comedians and various improv games that required the comedians to create scenes, characters, and songs. The audience of the show was involved in picking topics for the comedians to improvise. This show integrated games and audience members together to engage both the audience and the comedians. There are different varieties of improvisation used in the entertainment industry but it all results in a funny and well received.

            On the other end of the spectrum, using improv in movies is an even bigger risk than on television due to the production cost. Nevertheless, movie like The 40 Year Old Virgin, directed by Judd Apatow, used both improvisation and scripted material to create their Critics Choice Awards winning film. Steve Carell and Seth Rogen would first perform the scripted scene but then were left to improvise for the next few takes. Apatow’s films have been wildly successful and part of that is due to improvisation. Improv works well in comedy because of its endless possibilities. As an actor in the comedic genre, they are given more flexibility as to what they can say and do. Judd Apatow shoots one million feet of film for each of his movies. While non-improvised comedies only use about five-hundred thousand feet. Though this approach is more expansive and expensive, its end results are worth it.

            Gone are the days of writing meticulously in your room. Instead actors are challenged to come up with new ideas on the spot. The result is endless takes, thousands of film rolls, a stressed out director, and sold out theaters.

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